Aley Series VII, No. 3, no. 4_1992_sylvia safdie_gold leaf, organic material, graphite, oil on mylar_171 x 107 cm
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Slide Images

Slide No. 1
Aley Series VII, No. 3, No. 4, 1992
Gold leaf, organic material, graphite, oil on mylar
171 × 107 cm

Slide No. 2
Aley Series VII, No. 5, 1992
Gold leaf, organic material, graphite, oil on mylar
159 × 107 cm

Slide No. 3
Aley Series II, No. 1, No. 2, 1992

Slide No. 4
Aley Series III, No. 3, No. 2, No. 1, 1991
Gold leaf, organic material, graphite, oil on mylar
257 × 107 cm each panel

Slide No. 5
Aley Series V No. 1–2, 1992
Graphite, gold leaf, earth, organic materials on mylar
206 × 107 cm

Slide No. 6
Aley Series V No. 7–8, 1992
Gold leaf, organic material, graphite, oil on mylar
206 × 107 cm

Slide No. 7
Aley Series VI No. 1–2, No. 3–4, 1992
Gold leaf, organic material, graphite, oil on mylar
239 × 107 cm

Slide No. 8
Leaf No. 1, 1992
Gold leaf, organic material, oil on mylar
241 × 107 cm

Slide No. 9
Leaf No. 2, 1992
Gold leaf, organic material, oil on mylar
241 × 107 cm
Aley and Leaf Series

Each year a tree bears hundreds of leaves; from a distance they appear the same, yet each is unique; each bears its own particular markings.

“The tree develops slowly, almost imperceptibly; its changing qualities are most readily expressed through its leaves, in which both the cycle of the seasons and the successive change of generation are so clearly manifested. The Chinese character for ‘leaf’, yeh, emphasizes this essential quality of change that unites the organic and the human worlds; ‘tree’ at the bottom and the ‘grass’ radical at the top are joined by the character for ‘generations’. Leaf: the seasonal life and death of the tree.”

— Barbara Aria, The Nature of the Chinese Characters, p. 67