Zakhor, installation view no. 3_Zakhor, Expression Gallery, St. Hyacinth_1992_sylvia safdie
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Slide Images

1 - Zakhor No. 1, 1992
aluminum, brass, graphite, water & light
66 x 66 x 18 in
167 x 167 x 46 cm
Installation view, Expression Gallery, St. Hyacinthe, 1992

2 - Zakhor No. 2, 1993
Plexiglass, glass, earth, water, steel & light
35 x 35 x 65 in
89 x 89 x 165 cm

3 - Zakhor No. 1, 1992
aluminum, brass, graphite, water & light
66 x 66 x 18 in
167 x 167 x 46 cm
Installation view, Expression Gallery, St. Hyacinthe, 1992

4 - Aley: Kaneh, installation view, Expression Gallery, St. Hyacinthe, 1992

5 - Zakhor No. 1, 1992 (detail)
aluminum, brass, graphite, water & light
66 x 66 x 18 in
167 x 167 x 46 cm
Expression Gallery, St. Hyacinthe, 1992

6 - Conjunctions, Zakhor installation view, Expression Gallery, St. Hyacinthe, 1992

7 - Zakhor & Conjunctions, installation view, Expression Gallery, St. Hyacinthe, 1992

8 - Zakhor No. 1, 1992
aluminum, brass, graphite, water & light
66 x 66 x 18 in
167 x 167 x 46 cm
Installation view, Expression Gallery, St. Hyacinthe, 1992

Zakhor, 1992
Expression Gallery, St. Hyacinthe, Québec

Zakhor means "to remember" in Hebrew.

Zakhor No. 1
aluminum, brass, graphite, water & light

"Using aluminum, brass, graphite, water and light, Safdie has executed a powerful metaphor for remembering. A huge aluminum bowl filled with water rests on the floor. The bowl is interpretable as a container of memories and thoughts and their gestation in mind. A smaller brass bowl floats within it, moving imperceptibly across the surface. It contains graphite – a metaphor for ash (the residue of what is burnt and left behind, yet also that which is used to mark the eulogies or commemorate what one has lost)."

(1) James D. Campbell, C Magazine, 1992

Zakhor No. 2
Plexiglass, glass, earth, water, steel & light

A suspended glass bowl filled with water and rust-coloured desert sand hangs above a larger empty bowl resting on the ground. A hidden light source housed in a steel casing casts light into the bowl of water and sand, which acts as a lens. The result is an ineffable, non-physical reflection suspended in mid-air between the two bowls, created through the reflection and refraction of light.