Slide Images

1 - Body Series III, No. 1, 2015
Ink jet print on paper
76.2 x 96.5 cm
30 x 38 inches

2 - Body Series I, No. 1, 2015
Ink jet print on paper
188.5 x 139.7 cm
74.2 x 55 inches

3 - Body Series I, No. 3, 2015
Ink jet print on paper
188.5 x 139.7 cm
74.2 x 55 inches

4 - Body Series I, Head No. 1, 2015
Ink jet print on paper
87.63 x 73.66 cm
34.5 x 29 inches

5 - Body Series I, Head No. 3, 2015
Ink jet print on paper
87.63 x 73.66 cm
34.5 x 29 inches

6 - Body Series I, Head No. 4, 2015
Ink jet print on paper
87.63 x 73.66 cm
34.5 x 29 inches

7 - Body Series II, No. 2, 2015
Ink jet print on paper
106 x 60.4 cm
41.7 x 23.8 inches

8 - Body Series II, No. 3, 2015
Ink jet print on paper
106 x 60.4 cm
41.7 x 23.8 inches

9 - Body Series II, No. 4, 2015
Ink jet print on paper
106 x 60.4 cm
41.7 x 23.8 inches

10 - Body Series II, No. 5, 2015
Ink jet print on paper
106 x 60.4 cm
41.7 x 23.8 inches

11 - Long View Series I, No. 1, 2015
Ink jet print on paper
26 x 163.8 cm
10.25 x 64.5 inches

12 - Long View Series I, No. 2, 2015
Ink jet print on paper
26 x 163.8 cm
10.25 x 64.5 inches

13 - Long View Series I, No. 5, 2015
Ink jet print on paper
26 x 163.8 cm
10.25 x 64.5 inches

14 - Long View Series I, No. 6, 2015
Ink jet print on paper
26 x 163.8 cm
10.25 x 64.5 inches

15 - Long View Series I, No. 7, 2015
Ink jet print on paper
26 x 163.8 cm
10.25 x 64.5 inches

Body Transforming Gesture, 2015

Often, we do not see what is in front of us, at other time we seize the moment.

On March 2011, I was on the roof of my hotel in Varanasi (Benares), taking in the glorious morning sunrise and the unraveling events of mysterious morning worship rituals. Situated on the Ganges River, Varanasi is one of India’s most important Hindu worship centers. Hindus believe that dying there and getting cremated along the banks of the "holy" Ganges River allows one to break the cycle of rebirth and attain salvation, making it a major center for pilgrimage.

While observing this spectacular scene, I spotted what seemed to be two tiny figures across the river. They were barely visible. The haze created a blue monochromatic landscape veiling the figures so that it was difficult to decipher their activity. I focused my camera and looked through my small viewfinder that magnified the scene, yet, it was still impossible to decipher what was going on.

It was only when I returned home and looked at the footage on a larger screen that I was able to decipher what I had actually filmed that morning: two men doing exercise, one teaching the other. The footage that I filmed became Morning /Varanasi. I have slowed down the footage significantly so that we can observe nuances that we would not have been able to distinguish had we been observing them in real time.

I was overcome by the extent the two tiny figures reminded me of the figures in my drawings and paintings from my Figure and Ground series. What fascinated me was that the figures in my drawings and painting were fictitious and informed by my own physical gestures, while the figures that I filmed in the video, were of actual figures involved in an activity at a given moment in time and place.

I started to work on a series of stills that I extracted from the videos. By using Photoshop, I was able to manipulate the figures and transform them. I felt that I was forming, shaping and giving them a new presence. Some remained small, others were enlarged to life size. I entitled this series Bodies.